Mobile screen: 8 things to know

The Mobile screen defines your smartphone. This is why its size and the quality of image it reproduces determines, to a large extent, your overall experience of using a smartphone. 

No wonder mobile phone makers are investing a fortune in screen technologies. But what makes one screen better than the other? Here are some mainstream technologies behind smartphone displays.

LCD


LCD, or Liquid Crystal Display, is the most common flat panel display. It uses a combination of layers of liquid crystals and a backlight to produce an image. The properties of the liquid crystals to block or allow light change as current is applied


TFT


TFT or Thin Film Transistor is used to improve readability of LCD panels. Transistors are embedded within the panel itself, reducing crosstalk between pixels and improving image stability. Used mainly in entry-level handsets with colour screens.


IPS-LCD

IPS, or In Plane Switching, is a further evolution of the LCD, invented by Hitachi and LG to improve on colours and viewing angles of TFT displays.


Retina


Introduced by Apple, this type of LCD uses pixels smaller than the human retina can perceive. Retina displays are found in fourth-generation iPod Touch and iPhone 4/4S.


OLED


OLED or Organic Light Emitting Diodes, produce their own light rather than relying on a backlight. It offers a brighter, more vivid picture with a higher contrast ratio on lower power consumption.


AMOLED


AMOLED, or Active Matrix OLEDs, allow for a larger size screen with a higher number of pixels.


SuperAMOLED


SuperAMOLED Plus & AMOLED Advanced are improvements that increase brightness, reduce reflectance or lower power consumption.


S-LCD



Super, or S-LCD, is a corporation founded by Samsung and Sony. S-LCDs use technology that brings quality and contrast levels to near-Amoled standards, but at a lower price. 

Panjaa Review

Panjaa Review – Panjaa Movie Review, Rating, Telugu Movie: Power Star Pawan Kalyan, who is due for a hit post Jalsa, came up with Panjaa. Like every Pawan film, this has been riding high on expectations. Fans are expecting nothing short of a blockbuster with Panjaa. But did Power star deliver the goods? Here is Panjaa Review in detail…

Story:

Jai (Pawan Kalyan) is a loyal follower of Bhagavan (Jackie Shroff), who is a big don in Kolkata. Kulakarni (Atul Kulakarni) is the rival of Bhagavan. Jai has a friend named Jahnavi (Anjali Lavania) who is a club dancer. Bhagavan’s sadistic son Munna (Adivi Seshu) has an eye on her. Meanwhile Jai falls in love with Sandhya (Sarah Jane). Munna kills Jahnavi as she rejects him. Then Jai kills him in turn. Now Jai becomes the prime target for Bhagavan. What happens next is to be seen on the screen.

Analysis:

Panjaa is mainly an action drama laced with romance. Director Vishnu Vardhan didn’t try to focus on Pawan Kalyan’s star image. He scripted the story and character as per his will and he did what he believed in.

This may not go down well with the loyalists of Pawan Kalyan. There isn’t any special mark of Pawan Kalyan in the film. It is Vishnu Vardhan’s film with Pawan playing the lead role. So, obviously there isn’t any glorified heroism or build up. Class fans of Pawan Kalyan may like this new dimension, but mass fans might be terribly disappointed.

The story takes off on a slow note and drags until the character of Adivi Sesh turns wild. The buildup towards the interval is the best part in the film as per the screenplay is concerned. Second half starts on a completely different note. Lot of under developed clichéd characters enters the frame and it only gets interesting towards the end. In the middle there is Paparayudu song to pump in some energy.

On a whole, Panjaa is a technically well made film which didn’t have the legs to survive at the box office for a long period. A lot will depend on Pawan Kalyan’s crowd pulling capabilities to bail out this one from sinking at the box office.

Performances:

Pawan Kalyan underplayed his character to the perfection. He is believable as the loyal follower of a deadly don. His getup is Okay and his dances in Paparayudu song will be a treat to fans. Sarah Jane Dias lacks the looks, but carries off her character in an Okay manner. Anjali Lavania is hot looking but again lacks good looks. Sesh Adivi is a revelation. He delivered a mind blowing performance as a sadistic villain.

Jackie Shroff is alright and Atul Kulakarni is stiff. Brahmanandam excelled in Paparayudu song sequence. Ali is neat. Subba Raju is fine. Tanikella Bharani is good as a wicked man.

Technicalities:

Dialogues by Abburi Ravi are not up to the mark. There are very few lines which sound good and seems like some thought is put in. Music by Yuvan Shankar Raja is good. Ela Ela song is superb. Songs are not utilized by the director. Placing title song after the end card is a blunder. Background score is very good. Cinematography is awesome and editing is very fine. Production values are laudable.

Director Vishnu Vardhan showed his brilliance in few scenes. He excelled in getting the action part right. There are many plot holes and loose ends in the film. As a script writer Vishnu showed some hurriedness and failed to make it a rounded script. Writer in him has let down the director.

Final Word:

Panjaa is a stylishly made action film which may not appeal to all the sections of audience. People who look for some novelty in dealing a star’s film without all those clichés may like it. The percentage of such audience will be always low and let’s see if Panjaa sets a new trend in bringing a sea change to our Tollywood style.

Panjaa Movie Rating: 3.75/5

Banner: Arka Mediaworks, Sanghamitra Arts Productions
Cast: Pawan Kalyan, Sarah Jane Dias, Anjali Lavania, Jackie Shroff, Sesh Adivi
Cinematography:    P. S. Vinod
Editing : A. Sreekar Prasad
Music: Yuvan Shankar Raja
Producer: Neelima Tirumalashetty, Nagesh Muntha, Shobu Yarlagadda, Prasad Devineni
Story, Direction: Vishnuvardhan

Panjaa Censor Report(Cuts)

First censor members issued Panjaa U/A with 18 cuts. So to reduce these cuts Producers have REcensored to get A. and cuts reduced..... wish Best luck................... 

Sonu Nigams 4 year old son Nevaan "WHY THIS KOLAVERI DI" version

Enjoy the Milky song sung by Sonu nigam 4year old son............Nevaan nigam 

Panjaa - Kshanam Kshanam song making

Panjaa - ela ela song making

Panjaa Censor Report

Power Star Pawan Kalyan's Panjaa movie gets censor U/A certificate. The movie was censored today by the board members and gave U/A certificate. This movie is going to hit the screens world wide on  December 9. The film is carrying positive report in the industry and Panjaa is high on action entertaining movie. Adivi Sesh, Sarah Jane Dias and Anjali Lavania are playing other important characters. The film is directed by Vishnuvardhan and jointly produced by Neelima Tirumalasetti and Shobhu Yarlagadda.

Pavan kalyan new mercedes AMG G55

Pawan Kalyan bought recently a brand new Mercedes G55, a very powerful and unique SUV, which is spotted on Ram Charan’s engagement. 
This SUV offers superior off roading capabilities with supreme luxury. Powered by a 5.4 L V8 supercharged engine mated with 5 speed automatic transmission, the SUV can raide through any rough terrains. 
With a maximum output of 507 HP and 700 Nm of torque, Mercedes G55 AMG rushes 0 to 100 kmph in just 5.5 seconds, reaching to a top speed of 208 kmph. This boxed style SUV is designed in a way that aids theSUV car in giving a sports car like performance with off roading abilities.

Price:1.35 crs

Making of Panjaa paparayudu song

See and enjoy making of paparayudu song in PANJAA

Panjaa Songs Lyrics PDF Download in Telugu

Click Here To Download

Angry Birds

Anime inspiration for Angry Birds

Why This Kolaveri Di

Latest Video In Youtube Creating Records I Like The Song and What about you.............?

panjaa ringtones from songs

Click Here To Download

Panjaa Songs Lyrics

01-Panjaa:

Nee chura chura chupule panja
sala sala sala upire panja
nara naramuna netture panja
anuvanuvuna sattuve panja
aluperagani vegame panja
adarani penu dhairyame panja
pedavanchuna mouname panja
padunagu aalochane panja
hey cheekatilo cheekatiga musina musuga nippula banthi
www.atozsongslyrics.blogspot.com
tappadane yuddamuga vekuva chudadaa repatikante
aakasham nee panjaa
adi gelavaali asalaina gunde dammuga
aavesham nee panjaa
adugeyyali chedunantham chese chaithanyangaa

Aatupotu leneleni sagarame untundaa
yettupallam leneleni raadaarantu vundaa
aakuraalani kommaremmalu chigurayye veelundaa
yedemina thudivaraku edureeda saagali gaa..

Aakasham nee panja
adi gelavaali asalaina gunde dammuga
aavesham nee panjaa
adugeyyali chedunantham chese chaithanyangaa

02-Ela Ela:

Ela ela ela ela
nallo kalla chupedella
yedarilo godarilla nallo alla apedelaa
ee maayanii nammedi elaa
ee mataniii chepedi elaa
ne parichayam lona ponda janma maralaaa

Huveleee huveleee hey yaaa...
huveleee huveleee hey yaaa...

Ela ela ela ela
nallo kalla chupedella
yedarilo godarilla nallo alla apedelaa

Ninnaloni nimishamaina gurthurade e shkanamm
netiloni sambarana urakalese jeevanamm
e snehame varamm e bhavame nijamm
www.atozsongslyrics.blogspot.com
edi telupabothe bhasha chaleedelaaa...aa
na bhasha lona teeyandanam
na bata lona pachandanamm
pasi papa laga navve gunamm
nevalle nevalle veligindi na needa nee nedalone cheralanii
nurella pai anucheyalanii e paravasham lona nilicha prana shilalaaa

Ela ela ela ela
nallo kalla chupedella
yedarilo godarilla nallo alla apedelaa
ee maayanii nammedi elaa
ee matanee chepedelaa
ne parichayam lona ponda janma maralaaa

I wanna hold u...
i wanna hold u in my heart
i wanna hold u...
i wanna hold u in my heart.....

03-Vey ra Cheyyi Vey ra:

Vey ra chey vey ra ekkadekkado cheyveyraa
ekkadekkado cheyveyraa akkadedo chesey raa
kasi kougilivai raa ra nanu pita pita pindey raa
unna upiri theeseyra kotta upiri poseya raa
thalagadalo nalipey raa alajadine anichey ra
kalanaina nuvvu korukoni nidhilaa dorikaa ra

Veyra chey veyra ykkadekkado cheyveyraa
ekkadekkado cheyveyraa akkadedo chesey raa

Hey Sanna jaaji nagaram la thalukula thagaram laa
panjaraana paavuramlaa nee chetha chikkanivela
ahh chupey ro panjaa balam kammanga theerchukoraa
daahaalalo Daavananam uffantha challarchukoraa
rara adduraara vollu vedai piliche raa
are naramuloni ek thara neekai vechenura

Touch me you can touch me
you can feel me you can feel me
you can kiss me you can tease me
ededo chesey raaa

yelo yelalelo yelalelo yelalelo
yelalelelo yelalelo ededo chesey raa

Hey andamaina aada cheetha
aakalesi dukuthuntaa
vetagaadi eete thone ishtanga aataadukuntaa
evvariki ivvanidi neethone panchukuntaa
andariki andanidi neekosam andinchukuntaa
Eh Picchaga nuvvantha kani pidugai padamantaa
hey uduku duduku upu chusi aha anukuntaa

Touch me you can touch me
you can feel me you can feel me
you can kiss me you can tease me
ededo chesey raaa

Veyra chey veyra Touch me you can touch me
yekkadekkado cheyveyraa ededo chesey raa
kougilivai raa ra nanu pita pita pindey raa
unna upiri theeseyra kotta upiri poseya raa
thalagadalo nalipey ra alajadine anichey ra
kalanaina nuvvu korukoni nidhilaa dorikaa ra

Touch me you can touch me
you can feel me you can feel me
you can kiss me you can tease me
ededo chesey raaa

04-Kshanam Kshanam:

Kshanam kshanam prathi kshanam… kure dhanam pacchandanam
nijam nijam nirantharam… meere kadaa aaropranam
mee baadhale… nee panchukona
mee hayine… hey… ne penchana
mana navvutho navvuthundi ee prapancham

Vastunna nestham… andisthale nava jeevithama
vastunna nestham… andisthale nava jeevithama

05- Anukoneleduga:

Anukoneleduga kalakane kadugaa
kalisochhe kalamalle nilichavulee
anukunte chaluga kanuvinde cheyagaa
kadilochhe teeramalle kalisanulee

Oke nuvvu oke nenu chero sagam ithe premelee
oke chuupu oke swasa maro jagam ithe manamelee
sukhalannii mana chuthhu cheree
shubhalanni mana chuttamayyee nedee

Ayidu talala shaksiga nalgu kalala shaksiga
mudu putallo rendu gundello okkate prema gaa
konte duralu koddigaa kanti neralu koddiiga
konni kaugillu kotha engillu premaga maragaa
ullasamee udyogamaayee
santhosamee sampadanayee
ede batay ede matay elage lokalni elalilee

Oke nuvvu oke nenu chero sagam ithe premelee
oke navvu oke nadaka maro jagam ithe manamelee

Anukoneleduga kalakane kadugaa
kalisochhe kalamalle nilichavulee
nuu anukunte chaluga kanuvinde cheyagaa
kadilochhe teeramalle kalisanulee
oke nuvvu oke nenu chero sagam ithe premelee
oke chuupu oke swasa maro jagam ithe manamelee


06 - Paparayudu

ekkadoo puttaduu.. ekkadoo perigaduu..
mana vuriki vachadu.. mana vadai poyadu..
machaleni chandrudu manchi tho mandutunna suryudu..
chedutho chedugudadukuntadu..
paparayudu..paparayudu..paparayudu..

ah ittantodu gani vurikokkadu unte
chiku chintalu ani teeri poyenante
chikatanna mata paripoyinatte ha..

arererey nuvu aapara..
jai..ayya.. em chestunav ra..
vastunanu ayya.. come on i say..
vastunanu ayya vastuna..
veedentra suryudu chandrudu veluthuru chikati antadu..
hayya tamariguruinche padutunnadu ayya..
nakardham avvali kada..!
nuvu oka pani cheyara.. ayya..
vadilaga pedda pedda padallo padakunda
chinna chinna padalu upayoginchi
nee notitho nuve paadu.. nenah ayya..? paadamma..!

nuvvu kotraa…
edavalake edava panikimalina chavata
tagubhotu kuyya tirugubothu jaffa,
police dress lo unna 420 gadani..
eyy.abbo..abbaa.. come here..
ayya endayya kottav atta..
tidutunnav entra..
adikadu edo flow lo..

aagu ardham kaaka poyina vaadu tittinde bhagundi ra..
idi mari daarunam ga undi..
oka panichey mari antha highlo kakunda
mari antha low lo kakunda medium ga tittey ra..
you can do better.. please ra.. ee sari chuudayya..
kottuu..arre bhoomiki jaanadu bhooloka veerudu
chupulaku mamulodu ee monagadu chalane sarukunnodu..
meesam leni magaderudu suryudu superman type ee veedu..
jaanala mundhu simple man anipistadu..
tana bhalamento tanake teliyani
all in one anjaaneyudu..
chesina manchini marchipoye gajini cousin ee veedu..
taruvata..? taruvata enti., kottu..
paparayudu..paparayudu..paparayudu..paparayudu..

pai pai looks chusi vesukunna dress chusi
manishini veyaradu anchana..
samayam vachindante sarigga telustundi
evadilo entha vundo stamina..
six pack body leka poyina,
paparayadu single hand chitakestadi..
cut out chuste comedigunna,
ee potugadi kanti chupu narikestadi.. eeragestadi..
aa taruvata..? taruvata enti.. kottu
annaa ee moment chudu annaa..
annaa madi idi..
moment marchararei moment marchu..
adi..are arerere.. abbo.

ninna monna ne paina meditale icharu.
ee vuri janalu arey ippudaite pilichi niku pilla nistaru
ninna chooste dadakoru..
eeyalemo ayyagaru.
chi po ani tittinavallu salam salam annaru..
chuttu paka padullalo ey samasya vachina
ika pai nuve dikku devudu..
aallu vellu vachi kala vella padina
mammalane vadalakey eppudu..
anda dandai maa thode nuve lekunte
mammalani kapadedi evvadu..

ayyaa meeru deevudu ayyaa..
mari kottu.. abbabbabba ah mellagottara..
inka mellaga.. koncham mellaga..
inka mellagodite tusss em vinapadadu annaa..
kottra kott kott kott kott kottu..
bhatikunnapude bhangaru vigraham
centerlo nilabettedam
sri papa gari.. goppadanam chatatedam
holi deepavali lage tana puttina roju pandhugala jaripinchedam..
dani peri papavali ani perededam..
chandalu enno poguchesi palarati gudi kattidam..
paparayudee veera gaadhanu school lo patam cheydam..
tharavatha..? tharavathenti kottu..

7 Kinds of “Hits” in the film industry

Back in the day the difference between a hit, average & flop was clear. A hit meant that film that was seen & liked by a lot of people & collected good money. It usually collects 120-150% of the budget. A superhit film was one that did exceedingly well at boxoffice. It was quite simple to know which movie was a hit & which wasn’t.

But modern-day film business is so complex, that it is very hard to classify a movie. Also the term “hit” has become vague and relative. Almost like the idea of ‘good’. What might seem ‘good’ to one person or segment, might seem ‘bad’ to another. Likewise, a film may be or seem like a hit to some people or segments, while it is not one to some. Confused? Read on. Not all ‘hits’ in the industry are the same. They come in 7 varieties. But what the industry needs today is the last one I mentioned, the good old “hits” or ‘universal hits’ as they’re known today. Though, I have written this keeping Telugu Cinema in mind, the same applies to Bollywood & Tamil cinema.

Producer safe, distributors loss : The movie’s producer makes the film with his money, adds a handsome margin and sells it off to distributors. Regardless of the movie’s performance at boxoffice he is “safe”. In most cases even if the movie collects well, because of the high prices it was sold for, it won’t be financially profitable for the distributors.

Distributor safe, producer loss : This is a rare instance but does happen often. Often, the movie goes over-budget or was shot was beyond its market. In that case, the producer sells it off for less than the movie’s budget and limits his loss. Unless the movie goes onto be a smashing blockbuster, its unlikely he will recoup his costs. If the movie does ‘well enough’, the distributors who invested in the film would make small sums, where as the Producer would go home with a loss. For ex : A film that released in 2010, was made on a budget of 14 crores. The producer could sell the theatrical rights of the movie only for 8 crores. He raised another 4 crores from satellite, music, overseas & home-video rights. In all he made 12 crore of business and took a hit of 2 crores. When the film released, it did well and recovered a little over 8 crores at boxoffice. So the trade terms this film a ‘hit’, while in reality it was a loss-making film for the Producer.

Media hit/perception hit : Hits of this variety are more frequent in our industry offlate. The movie usually is a backed with a high-decibel campaign. If the word-of-mouth is even slightly positive, the producer launches a big campaign trumpeting its success by hosting press meets, publishing inflated collections in advertisements and having “paid coverage” in magazines, newspapers & television. In most cases, the film would attained break-even or modest profits, but it’s perceived to be a big hit. While the intelligent section of the audience doesn’t buy the hype, most people are gullible and actually believe the movie is a huge hit. A lot of producers in our industry are not serious filmmakers. They’re here for the kicks, glamour or fame.They are happy living with the “hit” tag, than really making money from the films. Hence we see more of “perception hits” these days.

ROI Hit : This is the “Return on Invesment” hit. Some films might not collect a big sum at the boxoffice or enjoy a great word-of-mouth, but because of the low cost it was made or sold for, it’s a financially successful project for all or most parties involved. Another case for an ROI hit, is that the film has a A-list star and opened with great hype in hundreds of screens. Though, the response might be mixed due to the superb openings, the movie would have recovered its cost. This is reason distributor’s have craze for movies featuring big actors as they have the crowd-pulling capacity.

Sleeper Hit : Some films when they release have an moderate opening & decent word-of-mouth. Usually, its expected such films don’t last long at boxoffice. But these films, either due to the theme or the loyal audience the star commands makes small sums of money every week, over many weeks. Though in terms of buzz & perception it’s not seen as a big hit, the movie ultimately would have made huge money at boxoffice.

Territorial Hit : Some films perform inconsistently at the boxoffice. Though overall the movie is not counted as a success, some films perform better than expected in certain territories. Usually, the while producer or other distributors might have lost money, the distributor from this one particular territory would have made money. It’s usually because the hero of the film enjoys extra craze in that area, or because of the film’s theme. For ex : Sarkar Raj collected very well in Mumbai as it had ‘local relevance’ where the rest of India it under-performed. Usually, each hero has his bastion where has as edge over other heroes. Also, certain types of films perform better in some areas. Love stories and family dramas tend to do better in Nizam, overseas & Karnataka. There are many instances where some films perform well only in certain territories. There are many instances when movie portals have rubbished film, which fared poorly overseas but went onto be blockbusters in India. This happens in Bollywood too.

Hit/Superhit/Blockbuster : These are films which enjoy a good word-of-mouth, collect very well and are financially profitable to all the parties involved – producer, distributors & exhibitors. Like I said earlier, the industry needs more hits of this variety – a film that qualifies to be called a success on most counts.

Source: www.sirishallu.com

Panjaa Theaters List Till Now

PowerStar Pawan Kalyan

"PANJAA" CONFIRMED THEATERS AS OF NOW

"PANJAA" Confirmed theaters as of now:-

1. Sandhya 70MM - RTC X Roads

2. Prasadz - NTR Gardens

... 3. Cinemax - Banjara Hills

4. Big Cinemas - Ameerpet

5. INOX - Banjara Hills

6. PVR Cinemas - Panjagutta

7. Cine Planet - Kompally

8. Gokul - Erragadda

9. Sathyam - Ameerpet

10. Sri Ramulu - Moosapet

11. Sai Ranga - Miyapur

12. Vijetha - Borabanda

13. Eeshwar - Attapur

14. Hitech - Madhapur

15. Booma Cine Complex - Tirupathi

16. S2 Cinemas - Nellore

17. Vishnu Mahal - Puttur

18. Ravi - Madanapalle

19. Vijayalakshmi - Chittoor

20. S.V. Talkies - Nindra

21. Raj 70MM - Vijayawada

22. Jagadambha 70MM - Vizag

23. INOX - Vijayawada

24. INOX - Vizag

25. Shyamala - Rajahmundry

26. Devi Multiplex - Kakinada

Stay tune for more updates.......................

Panjaa Music Release Pics

Power star's PANJA Set Records

Power star's PANJAA Comming to set records

Power star's PANJA Story

 The best rumor in Film circles floating from last 48 hours is about pawan kalyan’s new project ‘Panjaa.’ Yes, the movie is known to be unofficially inspired from Hollywood flick ‘The Punisher.’ Given the stylish taking of Vishnuvardhan and depth of concept in the original version, definitely there are chances of ‘Panjaa’ turning out to be one such film for which Power Star Fans are waiting from a very long time.

The most exciting point in ‘Panjaa’ will be that hero character of pawan kalyan will be killed with in first fifteen minutes as the movie starts. This is a dynamic task because a star like Pawan getting his role ended in very start will have to be taken from an experiment point of view. Then remaining part of flick runs on unraveling the mystery and identity of Pawan, who will be an undercover RAW Agent on duty to erase Mafia.

Knowing about the technical excellence of director Vishnuvardhan, inner sources say that first action scene in ‘Panjaa’ leading to the death of Pawan’s character is most stylishly picturized.

Latest Allu Arjun Pic For SOUTHSCOPE

Stylish Star Allu Arjun

Nag chaitu's Bejawada trailer 2

Power star's PANJA Leaked Song

Panjaa teaser ringtone

Click Here To Download

Tapsee

Cuteeee

PANJAA Dialouge

Power star powerful dialogue

                   "Naa speed ni maa anna ae aapaleka poyadu meeru entha ra...........?"

mobile earning website

Power star entry dialouge in Gabbar Singh

Gabbar singh movie lo pawan entrance n his dialogue
coversation between small chamcha gangster n pawan
gangster:evadra nuvu ma dandha loki vachinav..
pawan :police ni chicha.
gangster :ne lanti police olani ma jintagi lo chala mandi ne chusam..eseyandri vadni

avesam ga okadu parigetukuntu vachi anna tho fight cheyabothadu apudu anna vadni iragathesi he starts like dis
pawan ;naam tho suna nahi hi kya
ne jindagi lo police olani chusevuntav kani nilanti vala jindagi maaf chesevade eeh GABBAR SINGH
NANU ABHIMANICHE VALAKI WHOLE ANDHRA KING NI
NILANTI GUNDA GALAKI ENCOUNTER KING NI...
den d fight beginsss
annaya pawan kosam nenu rasina dialogue idi howz it..guys..


Source : Taken from Facebook

పవర్ స్టార్ కొత్త సినిమా టైటిల్ ‘పవర్’

పవర్ స్టార్ పవన్ కళ్యాణ్...విష్ణువర్ధన్ దర్శకత్వంలో ఓ సినిమా చేస్తున్న సంగతి తెలిసిందే. ఈ సినిమాలో పవన్ సరసన సారా జాన్ డియాస్, అంజనా లవాణియాలు నటిస్తున్నారు. సంఘమిత్ర ఆర్ట్స్, ఆర్కా మీడియా సంయుక్తంగా నిర్మిస్తున్న ఈ సినిమాకు షాడో లేదా కాళి అనే టైటిల్ పెట్టాలని నిన్నటి వరకు యోచించారు. అయితే తాజాగా ఈ రెండు కాకుండా ‘పవర్’ అనే టైటిల్ ను దర్శక నిర్మాతలు ఖరారు చేసినట్లు తెలుస్తోంది. అయితే అధికారికంగా ప్రకటన వెలువడాల్సి ఉంది.

శోభు యార్లగడ్డ, నీలిమా తిరుమల శెట్టి నిర్మాతలుగా వ్యవహరిస్తున్న ఈ సినిమాలో అడవి శేష్, జాకీ ష్రాఫ్ ముఖ్యమైన పాత్రల్లో కనిపిస్తున్నారు. యువన్ శంకర్ రాజా సంగీతం అందిస్తుండగా, పి.ఎస్ వినోద్ సినిమాటోగ్రాఫర్.

రవితేజ-మెహర్ రమేష్ కాంబినేషన్లో రూపొందుతున్న సినిమాకు కూడా ‘పవర్’ అనే టైటిల్ ఖరారు చేసినట్లు ఆ మధ్య వార్తలొచ్చాయి. మరి దర్శకత నిర్మాతలు దీనిపై స్పందిస్తే తప్ప ప్రేక్షకుల్లో ఉన్న అయోమయం తొలగిపోయే అవకాశం లేదు.

clix sence

click and earn upto $0.05 per day

Bramhi facebook morphed photos